Weavers’ Children in the Silkworm House
(Sanka shokushi no zu, 蚕家織子之図)
Publisher: Sano-ya Kihei
1842
This series shows children performing the various tasks in the manufacture of silk. It is listed as number 116 in Kuniyoshi by Basil William Robinson (Victoria and Albert Museum, London, 1961). Some of the variations in this series can be explained by the fact that it was banned by the censors in November, 1842 for being a polyptych (tsuzuki-e, 続き絵). The following month, the ban was clarified to apply only to polyptychs of more than three images. The prints were recut with the continuous numbering of 1-10 removed and re-formed into groups of 3, 3, 3, and 1. The sheets are each about 14 by 10 inches (36 by 25 centimeters), a size known as ôban. I am grateful to Robert Pryor for his contributions to this series. |
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Number: 1 (dai-ichi, 第壹) Title: Picture of
beginning of silkworm rearing Description: A boy
carrying two baskets of mulberry leaves on a pole on his shoulders while two
other children prepare the silk worm eggs |
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Another state without any purple |
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Preparatory sketch for the above print |
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Number: 2 (dai-ni, 第二) Title: Picture of picking
mulberry leaves Description: Two children
harvesting mulberry leaves |
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Number: 3 (dai-san, 第三) Title: Picture of
cutting mulberry leaves and feeding silkworms Description: One child is
cutting mulberry leaves with a cleaver while two others are feeding the
leaves to silkworms. |
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An alternate state of the above design |
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Number: 4 (dai-yon, 第四) Title: Picture of
sleeping before fifth ecdysis (molting) Description: A girl is
using a feather to clean a tray of ‘sleeping’ silkworms while two boys are
standing behind her with mulberry leaves Text: 蚕第四度目の休おば大眠ともにわの休ともいふなり 追付起出べき時をうかゞひ其用意をなす |
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Another state with heaven (ten, 天) replacing the number four,
indication that this is the 1st in the sequence heaven, earth, and
people |
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Number: 5 (dai-go, 第五) Title: Picture of
silkworm of fifth instar (stage between two moltings) Description: Three
children standing with two baskets of mulberry leaves |
NO IMAGE AVAILABLE |
Another state with earth (chi, 地) replacing the number five,
indication that this is the 2nd in the sequence heaven, earth, and
people |
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Number: 6 (dai-roku, 第六) Title: Picture of
cocoons Description: Three
children–one holding a tray of cocoons and another kneeling by a tray on the
floor |
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Another state of the above design
without any purple |
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Another state with people (hito,
人) replacing the
number six, indication that this is the 3rd in the sequence heaven,
earth, and people |
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Another state of the above design without any purple |
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Number: 7 (dai-shichi, 第七) Title: Picture of
silk moth and silkworm eggs production Description: Three children
kneeling on the floor watching silkworm moths fly away |
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Another state with pine (matsu, 松) replacing the
number seven, indication that this is the 1st in the sequence pine,
bamboo, and plum |
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Another state of the above design |
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Number: 8 (dai-hachi, 第八) Title: Picture of
the making of raw silk by hand Description: Three
children extracting raw silk from cocoons Text: 生まゆを塩にひたす事あり 大き成つぼの内底に竹のすを入其上に桐の葉を敷又其うへにまゆを敷ならべ又その上桐のはを敷て塩をふりかけよくふたをして上を泥にてぬりふさぎ七日にして取出し釜に入てわくにかけ |
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Another state with bamboo (take, 竹) replacing the number eight,
indication that this is the 2nd in the sequence pine, bamboo, and
plum |
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Another state of the above design |
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Number: 9 (dai-ku, 第九) Title: Picture of
the making of silk floss by hand Description: Three
children around a small stove making silk floss |
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Another state of the above design with green |
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Another state with plum (ume, 梅) replacing the
number nine, indication that this is the 3rd in the sequence pine,
bamboo, and plum |
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Another state of the above design without any purple |
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Number: 10 (dai-ju, 第十) Title: Picture of
the hand weaving of silk fabric Description: Two children
at a loom |
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Another
state with single sheet (hitohira, 一枚) replacing the number ten,
indication that this print is not part of a polyptych |
“Robinson” refers to listing of the series in Kuniyoshi by Basil William Robinson (Victoria and Albert Museum, London, 1961). CLICK
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