Actor triptychs

1849, Part VII

 

Actors: Left sheet: Bandô Shuka I as Torazô who is actually Ushiwakamaru (虎蔵実ハ牛若丸)

Right sheet: Nakamura Utaemon IV as Kiichi Hôgen (鬼一法眼) and Seki Sanjûrô III as Chienai who is actually Kisanta (知恵内実ハ喜三太)

Play: Kiichi Hôgen sanryaku no maki (鬼一法眼三略巻, Kiichi Hogen’s Book of Strategy)

Date: 9th month of 1849

Theater: Ichimura

Publisher: Tama-ya Sôsuke (玉惣)

 

NOTE: Some sources date this production to the 8th month of 1849.  I am grateful to Robert Pryor for this image.

Actors: Seki Sanjûrô III as Chienai who is actually Omumaya (知恵内実ハ御厩喜三太, left), Bandô Shuka I as Torazô who is actually Ushiwakamaru (虎蔵実ハ牛若丸, center) and Nakamura Utaemon IV as Kiichi Hôgen (鬼一法眼, right)

Play: Kiichi Hôgen sanryaku no maki (鬼一法眼三略巻, Kiichi Hogen’s Book of Strategy)

Date: 9th month of 1849 (censors Fuku and Muramatsu)

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

 

I am grateful to Robert Pryor for this image

Diptych title: The Five Festivals, Autumn Leaf Viewing (Go sekku no uchi, Momijigari, 五節句乃うち, 紅葉狩)

Actors: Seki Sanjûrô III as Taira no Koremochi (left) and Nakamura Utaemon IV as the demon of Mt. Togakushi (right)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

 

I am grateful to Lucienne Parkan for this image.

Diptych title: The Five Festivals, Irises Dolls (Go sekku no uchi, ayame ningyô, 五節句のうち, あやめ人形)

Actors: Nakamura Utaemon IV as Takenouchi no Sukune (武内宿祢, left) and Bandô Shûka I as Empress Jingû (神功皇后, right)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

Diptych title: The Five Seasonal Festivals, New Year (Go sekku no uchi, Mutsuki, 五節句のうち, 睦月)

Actors: Left sheet: Nakamura Fukusuke I as a young courtesan and the child actor Seki Hanasuke as a young girl

Right sheet: Nakamura Utaemon IV as Uraume tayû (うら梅太夫)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

Diptych title: The Five Festivals, March (Go sekku no uchi, Yayoi, 五節句のうち, 弥よひ) 

Actors: Left sheet: Bandô Shûka I as the waitress Okaji and Seki Sanjûrô III as a pilgrim

Right sheet: Nakamura Fukusuke I as Chôko

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

 

NOTE: The banner reads kaichô (開帳), a festival involving the unveiling of a usually hidden Buddhist image or relic.  I am grateful to Lucienne Parkan for this image.

Actors: Left sheet: Nakamura Utaemon IV as Konkuhawi (こんくハゐ)

Right sheet: Bandô Shûka I as the waitress Okaji (仲居 おかぢ) and Nakamura Fukusuke I as Chôko (釣狐)

Text: 五節句のうち こんくハゐ 

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

I am grateful to Robert Pryor this alternate state with changes to Konkuhawi’s back and Choko’s hakama (traditional loose trousers, ).

I am grateful to Robert Pryor for this additional variant.

Actors: Nakamura Utaemon IV as Konkuwai (こんくわい)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Iba-ya Sensaburô

Text in cartouche: The Five Seasonal Festivals, Konkuwai (Gosekku no uchi, Konkuwai, 五節句の内, こんくわい)

Actors: Left sheet: Nakamura Utaemon IV as Takenouchi no Sukune (武内宿祢) and Bandô Shûka I as the waitress Okaji (inset)

Right sheet: Bandô Shûka I as Empress Jingû (Jingû-kôgô, 神功皇后) and Nakamura Utaemon IV as Hoshu daijin (inset)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Hon-ya Naoshichi

Text: Left sheet: Dolls associated with Boys’ Day (Ayame ningyô, あやめ人形)

Right sheet: The Five Festivals (Go sekku no uchi, 五節句の内)

 

NOTE: Samurai dolls were displayed on Boys’ Day (Tango), and dolls depicting Empress Jingû and her marshal Takeshiuchi Sukune were among the most popular.  

Actors: Left sheet: Unidentified actors as the Shinto god Sarutahiko (猿田彦) and a teahouse girl (chayaonna, 茶屋女, in clouds)  

Right sheet: Ichikawa Kuzô II as a servant (shichô, 仕丁) and an unidentified actor as a courtier (hikyaku, 飛脚, in clouds)

Play: Onnagori goshiki no Hanakago (余波五色花魁香)

Date: 9th month of 1849 (censors Kinugasa and Watanabe) 

Theater: Ichimura

Publisher: Enshû-ya Hikobei

 

I am grateful to Lucienne Parkan for this image.

Actors: Bandô Shuka I as wife (nyôbô) Oseki (女房於関, left) and Nakamura Utaemon IV as Gotobei (五斗兵衛, right)

Play: Yoshitsune Koshigoe- (義経腰越状, Yoshitsune’s Letter from Koshigoe)

Date: 9th month of 1849 (censors Fuku and Muramatsu)

Theater: Ichimura

Publisher: Tama-ya Sôsuke

 

I am grateful to Robert Pryor for this image.

Actors: Sawamura Chôjûrô V as Motome (もとめ, left), Iwai Kumesaburô III as Sugi (daughter of the sake seller Omiwa, おみは, center), and Ichikawa Kuzô II as detchi Netarô (the shop apprentice Netarô, でつち 子太郎, right)

Play: Imoseyama onna teikin (妹背山婦女庭訓, Imoseyama, an Example of Womanly Virtue), Act 4, Scene 1

Date: 11th month of 1849 (censors Mera and Murata)

Theater: Nakamura

Publisher: Ebi-ya Rinnosuke

 

I am grateful to Robert Pryor for location this image.

Actors: Left sheet: Sawamura Chôjûrô V as Motome (求女) and Bandô Mitsuzô I as Ume no tsubone ( )

Center sheet: Iwai Kumesaburô III as Omiwa (おみわ), Ichikawa Hirogorô I as Matsu no tsubone ( ), and Sawamura Kijûrô II as Momiji tsubone (紅葉 )

Right sheet: Sawamura Chôjûrô V as Kanawa Gorô Imakuni (金輪五郎今国) and Nakamura Tsuruzô I as Sakura no tsubone (さくらの局)

Play: Imoseyama onna teikin (妹背山婦女庭訓, Imoseyama, an Example of Womanly Virtue)

Date: 11th month of 1849

Theater: Nakamura

Publisher: Hon-ya Naoshichi 

Triptych title: Imoseyama onna teikin (妹背山婦女庭訓)

Actors: Iwai Kumesaburô III as Omiwa (おみわ, left), Sawamura Chôjûrô V as Motome (求女, center), and Iwai Kumesaburô III as princess Tachibana (right)

Play: Imoseyama onna teikin (妹背山婦女庭訓, Imoseyama, an Example of Womanly Virtue)

Date: 11th month of 1849 (censors Hama and Kinugasa)

Theater: Nakamura

Publisher: Ebisu-ya Shôshichi

 

NOTE: Each bears the text “children’s dances” (kodomo odori zukushi, 子供おどりづくし).  I am grateful to Willie Howard for this image.

Actors: Onoe Baikô IV as Koshitsu Sadaka (後室さだか, left) and Sawamura Chôjûrô V as Daihanji (大判司, right)

Play: Imoseyama onna teikin (妹背山婦女庭訓, Imoseyama, an Example of Womanly Virtue)

Date: 11th month of 1849 (censors Mera and Murata)

Theater: Nakamura

Publisher: Hon-ya Naoshichi

 

I am grateful to Lucienne Parkan for this image.

Sheets from less labor-intensive states of the above design

Actors: Iwai Kumesaburô III as Omiwa (おみわ, left), and Sawamura Chôjûrô V as Kanawa Gorô Imakuni (金輪五郎今国, right)

Play: Imoseyama onna teikin (妹背山婦女庭訓, Imoseyama, an Example of Womanly Virtue)

Date: 11th month of 1849 (censors Mera and Murata)

Theater: Nakamura

Publisher: Ebi-ya Rinnosuke

 

I am grateful to Tolar Christina for this image.

Actors: Left sheet: Sawamura Genpei II as the kamuro Tayori (かむろたより) and Ichimura Uzaemon XII as Higashino Yoshiro (東与四郎)

Right sheet: Nakamura Utaemon IV as Naniwa Jirôsaku (浪花次郎作)

Play: Modorikago Iro ni Aikata (戻駕色相肩, A Returning Palanquin)

Date: 11th month of 1849 (censors Hama and Magome)

Theater: Ichimura

Publisher: Ebi-ya Rinnosuke

 

NOTE: “kamuro” (禿 or かむろ) is sometimes politely defined as a courtesan’s child-servant, but apprentice is a more accurate translation.  I am grateful to Robert Pryor for this image.

Two sheets from another state, or possibly two different states, of the preceding diptych.  Note that the sheet on the left does not have Kuniyoshi’s kiri seal.

Actors: Ichikawa Danjûrô VIII as Watanabe Wataru (渡辺亘, left) and Ichikawa Ebizô V as Endo Musha Morito (遠藤武者盛遠, holding Kesa Gozen’s severed head)

Play: Muro no ume mibae Genji (室楳学源氏)

Date: 11th month of 1849

Theater: Kawarasaki

Publisher: Ebi-ya Rinnosuke

 

I am grateful to Lucienne Parkan for information about this diptych.

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