Actor triptychs

1855-1856

 

Actors: From right: Bandō Takesaburō I as Nakayama Yaichiro, Ichikawa Kodanji IV Marino Yashiro, unidentified actor as Mekake Kikuno, unidentified actor as Iwata Senjūrō, and Ichikawa Kodanji IV as Kamata Matahachi

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録) 

Date: 7th month of 1855

Theater: Nakamura

Publisher: Yamamoto-ya Heikichi 

Actors: Ichikawa Kodanji IV as Kamata Matahachi (鎌田又八)

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録) 

Date: 7th month of 1855

Theater: Nakamura

Publisher: Ebi-ya Rinnosuke

Actors: Left sheet: Ichikawa Kodanji IV as the ghost of Kamada Matahachi

Right sheet: Ichikawa Kodanji IV as Marino Kanemitsu and Iwai Kumesaburo III as the nun Kyodai

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録)

Date: 7th month of 1855

Publisher: Hayashi-ya Shōgorō

Actors: Left sheet: Ichikawa Kodanji IV as Matsudaiya Shirobee (松☆屋四郎兵衛), an unidentified actor as Chiyosuke (千代助), and an unidentified actor as富屋与九郎

Right sheet: Ichikawa Kodanji IV as Tsutsuki Yasobee (筒木弥惣兵衛)

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録) 

Date: 7th month of 1855

Theater: Nakamura

Publisher: Mikawa-ya Kihei

Actors: Japanese bath-house scene with various comic actors in attendance

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録) 

Date: 7th month of 1855

Theater: Nakamura

Publisher: Ki-ya Sōjirō

Actors:

Play: Matsutaka temari fushi jitsuroku (松高手毬諷実録) 

Date: 7th month of 1855

Theater: Nakamura

Publisher: Ebi-ya Rinnosuke

Actors: Ichikawa Kodanji IV as the robber (tōzoku) Jiraiya (盗賊地雷也)

 and an unidentified actor as Senso Dōjin

Play: Probably Katakiuchi Jiraiya monogatari (The Story of Jiraiya’s Revenge, 報讐自来也説話)

Date: 8th month of 1855

Theater: Nakamura

Publisher: Kamaya Kihei

 

I am grateful to Robert Pryor for this image.

Actors: Onoe Kikujiro II as Okoyo (おこよ)

Play: Yume Musubu Chō ni Torioi (夢結蝶鳥追)

Date: 12th month of 1855

Theater: Ichimura

Publisher:

Triptych title: Fashionable Living Dolls (Furyu ningyo, 風流人形)

Description: This triptych illustrates a group of carved “dolls” displayed at Kannon Temple in Asakusa.  Although the word ningyō is usually translated as “dolls”, these lifelike dolls (iki-ningyō) were in fact extremely realistic life-sized clothed mannequins.  The scene is from a kabuki play about Iwafuji and Ohatsu.

Date: 2nd month of 1856

Publisher: Yamaguchi-ya Tōbei

Kuniyoshi - Figures of the loyal retainers (Gishi ningyo), Ronin attacking Kobayashi Heihachiro in Morono's palace

Triptych title: Figures of the Loyal Retainers (Gishi ningyō義士人形)

Description: Kobayashi Heihachiro in Morono’s palace.  This triptych illustrates a group of carved “dolls” displayed at Kannon Temple in Asakusa.  Although the word ningyō is usually translated as “dolls”, these lifelike dolls (iki-ningyō) were in fact extremely realistic life-sized clothed mannequins.  The scene is from the kabuki play Kanadehon Chūshingura.

Date: 2nd month of 1856

PublisherEbi-ya Rinnosuke

Triptych title: Picture of the Chūshingura Night Attack (Chushingura youchi zu忠臣蔵夜討図)

Description: This triptych illustrates a group of carved “dolls” displayed at Kannon Temple in Asakusa.  Although the word ningyō is usually translated as “dolls”, these lifelike dolls (iki-ningyō) were in fact extremely realistic life-sized clothed mannequins.  The scene is from the kabuki play Kanadehon Chūshingura.

Date: 3rd month of 1856

Publisher: Yamaguchi-ya Tōbei

 

I am grateful to Ward Pieters for locating this image.

Another state of the above design with the subtitle Elegant Living Dolls (Fūryū iki-ningyō風流生人形) added to the right sheet on the snow-covered roof.  I am grateful to Robert Pryor for this image.

The Forty-seven Ronin Attacking Moronao's Mansion from the Front, 1856, pub Ebi-ya Rinnosuke

Triptych title: Figures of the Night Attack of the Loyal Retainers (義士人形夜討之図)

Description: Left sheet: Yoshida Sadaemon Kanesada (吉田定右衛門兼貞) and Ōboshi Rikiya Yoshikane (大星力弥良兼)

Center sheet: Ōtaka Gengo Tadao (大高玄吾忠雄)

Right sheet: Oribe Yahei Kanamaru (織部矢兵衛金丸) and Hara Gōemon Mototoki (原郷右衛門元辰) This triptych illustrates a group of carved “dolls” displayed at Kannon Temple in Asakusa.  Although the word ningyō is usually translated as “dolls”, these lifelike dolls (iki-ningyō) were in fact extremely realistic life-sized clothed mannequins.  The scene is from the kabuki play Kanadehon Chūshingura.

Date: 3rd month of 1856

Publisher: Ebi-ya Rinnosuke

Title of print: Rokkasen Yasuhide (六歌仙康秀)

Actors: Nakamura Tsurozō I as Yasuhide (康秀), Nakamura Ganja I as 鴈の局 and Sawamura Tosshō  II as Okaji (お梶)

Play: Rokkasen soeji no kuchimane (六歌仙添乳口似)

Date: 6th month of 1856

Theater: Nakamura

Publisher: Enshū-ya Hikobei

Title: Six Songs (Rokkasen Kisen, 六歌仙 喜撰)

Actors: Unidentified actors as Yonen-bo (よねん坊), Yoshin-bo (よしん坊), and Takon-bo (たこん坊)

Play: Rokkasen soeji no kuchimane (六歌仙添乳口似)

Date: 6th month of 1856

Theater: Nakamura

Publisher: Ningyō-ya Takichi

 

NOTE: The print is dated the 7th month of 1856.  I am grateful to Lucienne Parkan for information about the print.

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