Comic and miscellaneous
individual prints
Part III
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Title: Comical
Anticipation of a Quick Profit (Munazanyou
douke hayawari, 胸算用道外早和利) Date: 1849 (censors
Kinugasa and Yoshimura) Publisher: Minato-ya Kohei I am grateful to Robert Pryor for this image. |
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I am grateful to Robert Pryor for this alternate
state without a green ground. |
Title: Textile
Pattern of People to Stop Your Yawning (欠留人物更紗, Akubidome jinbutsu sarasa) Date: c. 1842 Publisher: Yamamoto Heikichi |
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Another state of the above print, courtesy of Horst Graebner |
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Title: The Transfer
Ceremony at Ise Shrine (Ise Daijin miya-utsushi, 伊勢太神宮遷御之圖) Date: 1849 (censors
Yoshimura and Kinugasa) Publisher: NOTE: This print is
a horizontal ôban, about 10 by 14
inches (25 by 36 centimeters). I am
grateful to Marc DeVriese for this image. |
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Title: Description: Okina Inari
and Datsueba are neck wrestling (kubihiki) while
foxes and horses cheer Date: 1847-1850
(censors Mera and Murata) Publisher: Tama-ya Sôsuke NOTE: This print is
a horizontal ôban, about 10 by 14
inches (25 by 36 centimeters) |
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Title: Flowers of Edo: Five Dog-men (江戸花五人男犬) Description: Dogs as the “Karigane Five”, a
gang led by Karigane Bunshichi Date: c. 1833-1835 Size: Chûban (about 7 by 10 inches or
18 by 25 centimeters) Publisher: No seal |
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Title: Seven Dog-people (七犬人) Description: Dogs as the seven Chinese
hermits known as the Seven Sages of the Bamboo Grove Date: c. 1833-1835 Size: Chûban (about 7 by 10 inches or
18 by 25 centimeters) Publisher: No seal |
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Title: The Twelve Animals of the Zodiac
Hear Good Things (Yoki koto o kiku
junishi) Description: The twelve animals of the zodiac
rendered in chrysanthemums Date: 1846-1848 (censors Muramatsu and
Yoshimura) Publisher: Sano-ya Kihei |
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Title: The Beast Called “Greed” (Yoku to ifu
kemono, 欲といふ獣) Description: A fantastic beast chained to
three wooden stakes, labeled 神, 佛, and 儒 (Shin, Butsu, and Ju–Shinto,
Buddhism, and Confucianism). The beast
is composed of various animal and human parts, koban coins, abacuses,
and has a purse for a nose. The
beast’s body is marked “I desire money” (kanegahoshî, 金がほしい). Date: 1847-1848 (censors Hama and Kinugasa) Publisher: Tsuru-ya han Size: Dai ôban (12
7/8 x 18 1/8 in. or 32.8 x 46.0 cm.) NOTE: The print is based
on a story and image by Santô Kyôden, published in the Kyôwa Era
(1801-1804). I am grateful to Robert
Pryor for information about this print. |
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Title: Cat’s Rokugei (猫の六毛撰, six external causes of illness in traditional Chinese medicine) Description: Six cats taking various remedies Date: c. 1843 Publisher: Iba-ya Senzaburô |
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Title: View of Main Shinyô Tôzan Hall (Honke
Shinyô Tôzan-dô Ryaku-zu) Description: Bird’s eye view of a medical
herb shop (probably) Date: c. 1860 Publisher: I am grateful to Robert Pryor for this image. |
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Title: Kachikachiyama (かちかち山) Description: The folk tale Kachikachiyama in
12 scenes, which is about a tanuki and a rabbit Date: c. 1833-1843 (kiwame seal) Size: Ôban (about
10 by 14 inches or 25 by 36 centimeters)
Publisher: Yamamoto-ya Heikichi NOTE: This print and the
following print may be from an untitled series of folk tales. I am grateful to Robert Pryor for this
image. |
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Title: Story of the Tongue Cut Sparrow in Nine Scenes Description: Date: c. 1833-1843 (kiwame seal) Publisher: I am grateful to Robert Pryor for this image. |
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Title:
Asahina Saburô Yoshihide in a Wrestling Match with
Strange People from Various Countries (Asahina Saburô
Yoshihide bankoku sumô no
zu, 朝比奈三郎義秀萬國すまふの圖) Description: Asahina
wrestling with various creatures Date:
1842-1846 (censor Watanabe Shôemon) Publisher:
Zen (phonetic reading of 善) NOTE: This print is a horizontal ôban,
about 10 by 14 inches (25 by 36 centimeters).
It is signed Ichiyûsai Kuniyoshi giga
(drawn in fun by Ichiyûsai Kuniyoshi, 一勇斎国芳戯画). I am grateful to Robert Pryor for this
image. |
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An alternate state of the above design without a
censor’s seal |
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Title: Asahina Traveling through Strange Countries (朝日奈嶋巡) Description: Asahina Saburô Yoshihide with
foreigners he might have met in his travels Date: c. 1836-1838 Publisher: Tsuru-ya Kiemon I am grateful to Robert Pryor for this image. |
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Title: Asahina’s Island Tour (Asahina shima jun,
朝比奈嶋巡) Description: Small images of Asahina’s
various adventures Date: c. 1833-1835 Publisher: Izumi-ya Ichibei I am grateful to Robert Pryor for this image. |
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Title: The Recasting of the Great Bell of Tsujuki
Temple on August 9, 1836 (Tôto Tsukiji gobô ogane saichû no zu, 天保七丙申歳八月九日東都築地御坊洪鐘再鋳之図) Description: Bird’s eye view of the foundry Date: c. 1836 Size: 36 x 48 cm Publisher: I am grateful to Robert Pryor for this image. |
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Title: On the 8th Day of the 5th
Month of the Year of the Horse (1858) People of Earth and Water Horse Signs
Enter the Lucky Period Description: This uke-e (有卦絵) is a print with various symbols of good luck Date: 4th month of 1858 Size: Ôban (about
10 by 14 inches or 25 by 36 centimeters)
Publisher: Hayashi-ya Shôgorô I am grateful to Robert Pryor for this image. |
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Title: Comical Sumô Wrestling Match between the Wind
God and a Guardian King (Dôke Niô Fûjin no sumô, 道化仁王風神の角力) Description: The Agyô guardian king and the
wind god Fûjin wrestling, with the Ungyô Niô and Raijin in attendance Date: c. 1841 Size: Ôban (about
10 by 14 inches or 25 by 36 centimeters)
Publisher: Izumi-ya Gonshirô I am grateful to Robert Pryor for locating this
image. |
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Title: Description: Three monkeys dressed as humans Date: c. 1849-1852 Size: Kokonotsugiri
(12 x 17.5 cm) Publisher: No seal I am grateful to Robert Pryor for locating this
image. |
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Title: The Current Temporary Pleasure Quarters (Tôsei
karitaku yû, 當世仮宅遊) Description: A crowd of people who profited
from the 1855 earthquake and catfish gawking at courtesans in the temporary
pleasure quarter Date: 1855 Size: Unknown Publisher: No seal NOTE: This print depicts the relocated Yoshiwara, after the
1855 eartquake.
The profiteers are labeled as cart driver (車力), carpenter (大工), roofer (やねや), scaffolder (とび), stonemason (石屋), plasterer (さかん). Since prints depicting recent events were
banned at the time, this print has no publisher’s seal, censor’s seal or
artist’s signature. In Japanese folklore,
Namazu is a giant catfish living beneath Japan and causeing earthquakes by
its movement. I am grateful to Robert
Pryor for this image and information. |
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