Military Brilliance for the Eight Views
(Yôbu hakkei, 燿武八景)
Publisher: Enshû-ya Hikobei
1852
In
eleventh century China, eight views of the Xiao and Xiang
Rivers developed as a formalized series of landscape paintings. They represented views of the rivers and
wetlands around |
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View: Autumn Moon
at Scene: Ushiwakamaru (牛若丸) playing his
flute Robinson: S76.1 |
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Another state with a green cartouche and without a shadow in the
moon |
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View: Lingering
Snow at Ishiyama (Ishiyama bosetsu, 石山暮雪) Scene: Suzuki
Shigeyuki (鈴木重幸) with his
pistol Robinson: S76.2 Image courtesy of Pierre Wijermans |
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Another state with a solid red cartouche and snow superimposed
over the gun |
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Another state of the above design. The blue sky has been replaced with a black
sky turning the print into a nocturnal scene. |
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View: Evening Glow
at Awazu (Awazu yusho, 粟津夕照) Scene: Tomoe-gozen (巴御前) after the
battle of Awazugahara Robinson: S76.3 |
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I am grateful to Richard Wilk for this image of another state
without any purple. |
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Yet another state with a clear sky and a red glow of sunset |
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View: Vesper Scene: Akushichibyôe Kagekiyo (悪七兵衛景清) in monk’s habit
ready to resist arrest Robinson: S76.4 |
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Another state of the above design |
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View: Returning
Boats at the Scene: Minamoto no Tametomo (源為朝) onboard ship
with Kiheiji swimming in the background Robinson: S76.5 |
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Another state of the above design with a green cartouche in the
right upper corner. I am grateful to
Marc DeVriese for this image. |
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View: Clearing
weather at Horikawa (Horikawa seiran, 堀川晴嵐) Scene: Eda Genzô (江田源蔵) defending Horikawa
Palace Robinson: S76.6 |
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Another state with a black background |
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Another state of the above design courtesy of Marc DeVriese. |
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View: Night Rain at
Narumi (Narumi yu-u,
鳴海夕雨) Scene: Inagawa Yoshioto (稲川良音), representing
the historical Minamoto no Yoshimoto, fighting in a downpour of rain at the
battle of Okehazama (1560) Robinson: S76.7 |
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Another state with a solid red cartouche |
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View: Homing Geese
at the Northern Capital ( Scene: Fujiwara no Masakiyo (藤原正清, the
historical Kato Kiyomasa) watching a flock of geese Robinson: S76.8 NOTE: This is the
first edition. |
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Another state of the above design without ribs in the fan. I am grateful to Marc DeVriese
for this image. |
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This is one of several series of prints
Kuniyoshi designed consisting of bust portraits with irregularly shaped
cartouches in the right upper corner.
In each of these series, the cartouche is bordered by small
pictures. The table below shows a
typical cartouche from each of these series as well as the script
within the cartouche that identifies the series. The color of the cartouches is not a
reliable guide to identifying the series, as it may vary with successive
printings.
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“Robinson” refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its privately published supplement. CLICK HERE TO RETURN TO MAIN
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