Modern Select Dolls, Part
II
Title: Selected
Modern Life-sized Dolls (Tôsei mitate ningyô no uchi, 當盛見立人形の内), The Upstairs
Parlor of a Brothel (Nikai zashiki no zu, 二かい座敷の図) Date: 2nd
month of 1856 Description: A brothel
scene Publisher: Honmo (本茂) |
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Another state of the above design |
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I am grateful to Lucienne Parkan for this image
of a state without any purple. |
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I am grateful to Robert Pryor for this state of the
above design with a multicolor title cartouche. |
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Title: Fashionable
Living Dolls (Fûryû iki ningyô, 風流生人形) Date: 2nd month of 1856 Description: Minamoto no Tametomo seated on a rock drinking sake (centre) as two demons (right) attempt to bend his giant
bow, and two attendants (left) watch in amazement Publisher: Yamaguchi-ya Tôbei Image courtesy of Louise Ariëns Kappers
and C.P.J. van der Peet Japanese Woodblock Prints |
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I am grateful to Robert Pryor for this
preliminary sketch for the preceding print. |
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Title: Fashionable
Living Dolls (Fûryû iki ningyô, 風流生人形) Description: Brothel scene
with a courtesan having her hair done and another with a pipe and a seated
man with pox on his face Publisher: Yamaguchi-ya Tôbei NOTE: The figure
with exposed breasts in front of a mirror is Mayuzumi, a Yoshiwara courtesan
who gave aid during a recent earthquake.
The hanging scroll shows phallic-shaped mushrooms. |
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Title: Fashionable Living Dolls (Fûryû ningyô, 風流人形) Description: Brothel scene
with a courtesan having her hair done and another with a pipe and a seated
man with pox on his face Date:
2nd month of 1856 Publisher: Daikoku-ya Kinnosuke NOTE: The individual
sheets comprising this triptych are each about 10 by 7 inches (25 by 18
centimeters), a size known as chûban. |
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Title: Modern Select Dolls (Tosei mitate ningyô
no uchi, 當盛見立人形之内), Inside Picture of the Temporary Rental Rooms (Karizashiki
oku no zu, かりざしき奥の図) Description: Brothel scene
with a courtesan having her hair done and another with a pipe and a seated
man with pox on his face Date: 3rd month of 1856 Publisher: Honmo (本茂) NOTE: Karizashiki (借座敷 in kanji)
means rented or borrowed tatami room.
It refers to the Yoshiwara brothels that were temporarily relocated
after the earthquake and fire of 1855.
I am grateful to Robert Pryor for this
image and information. |
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Title: Figures of
the Loyal Retainers (Gishi ningyô, 義士人形) Description: Fight between the rônin and Morono’s retainers with a half-dressed woman on the
ground Date: 2nd month of 1856 Publisher: Ebi-ya Rinnosuke |
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Title: Figures of
the Loyal Retainers (Gishi ningyô, 義士人形) Description: The rônin
attacking Kobayashi Heihachiro in Morono’s palace Date: 2nd month of 1856 Publisher: Ebi-ya Rinnosuke |
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Title: Figures of the Night Attack of the Loyal Retainers (義士人形夜討之図) Description: Left sheet:
Yoshida Sadaemon Kanesada
(吉田定右衛門兼貞) and Ôboshi Rikiya Yoshikane (大星力弥良兼) Center sheet: Ôtaka Gengo Tadao (大高玄吾忠雄) Right sheet: Oribe Yahei Kanamaru (織部矢兵衛金丸) and Hara Gôemon Mototoki (原郷右衛門元辰) Date: 3rd
month of 1856 Publisher: Ebi-ya Rinnosuke |
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Title: Picture of the Chûshingura Night Attack (Chushingura
youchi zu, 忠臣蔵夜討図) Description: The night
attack of the 47 Ronin Date: 3rd
month of 1856 Publisher: Yamaguchi-ya
Tôbei |
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Another state of the above design with the
subtitle
Elegant Living Dolls (Fûryû iki-ningyô, 風流生人形) added to the right sheet on the snow-covered roof. I am grateful to Robert Pryor for this
image. |
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Title: Pictures of Fashionable Dolls (Fûryû ningyô no zu, 風流人形之圖) Description: Two women fleeing the
forty-seven Rônin’s attack on Moranao’s palace Date: 3rd month of 1856 Publisher: Mikawa-ya Rihei |
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Title: Dolls Viewed
as Gods, Confucians, and Buddhists (Ningyo mitate shin ju butsu, 人形見立 神儒佛) Description: The Buddhist
saint Hinzuru (right) dances with the Shinto deity
Uzume, whilst Confucius and Mencius play go
in the background, waited on by attendants Date: 3rd
month of 1856 Publisher: Daikoku-ya Kinjirô I am grateful to Hehe Galerie for this image. |
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Another state of the above design |
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Title: Lifelike Fashionable Dolls (Fûryû ningyô no uchi, 風流人形之内) Subtitle: Watonai, O-tsuji, and Hotato (和藤内, お津ぢ, 坊太郎) Description: The child Hotoro
(left) sits with an opened scroll before him, watching his nurse O-tsuji (right) perform penitence under a waterfall Inset: The pirate Watonai restraining a tiger Date: 3rd
month of 1856 Publisher: Jôshû-ya Juzô |
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Title: Modern Series
of Dolls (Tôse ningyô
zukushi, 當世人形づくし) Description: The pirate Watonai facing a tiger, while the monk Nichiren kneels in prayer as the executioner’s sword
shatters (日蓮上人龍口御難) Date: 3rd
month of 1856 Publisher: Fujioka-ya Keijirô |
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Title: Lifelike
Fashionable Dolls (Fûryû ningyô no uchi, 風流人形之内) Description: The child Hotoro and his nurse O-tsuji
(left) and the execution of the monk Nichiren
(right) Date: 3rd
month of 1856 Publisher: Kazusa-ya Iwazô I am grateful to Hehe Galerie for this image. |
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Title: Lifelike Fashionable Dolls (Fûryû ningyô no uchi, 風流人形之内) Subtitle: Description: Date: 4th
month of 1856 Publisher: Jôshû-ya Juzô I am grateful to Lucienne Parkan for this image. |
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Title: Picture of Dolls (Ningyô no zu, 人形之図) Description: A scene from a kabuki play about Iwafuji and Ohatsu Date: 2nd
month of 1856 Publisher: Mikawa-ya Tetsugorô |
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Title: Picture of Fashionable Living Dolls (Furyu
ningyo no zu, 風流人形之図) Description: A scene from
a kabuki play about Iwafuji and Ohatsu Date: 2nd
month of 1856 Publisher: Yamaguchi-ya Tôbei NOTE: This triptych is similar to the preceding
triptych, but has a different title and publisher. |
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Title: Selected
Modern Life-sized Dolls (Tôsei mitate ningyô no uchi, 當盛見立人形の内), Kagamiyama (かがみ山) Description: A scene from
a kabuki play about Iwafuji and Ohatsu Date: Publisher: Honmo (本茂) NOTE: “Kagamiyama” is a
shortened form of the title of the kabuki play Kagamiyama Kokyô no
Nishikie. I am grateful to Robert
Pryor for this image. |
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I am grateful to Robert pryor for this
preliminary sketch. |
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Title: Fashionable
Living Dolls (Fûryû iki ningyô, 風流生人形) Description: The strong
woman Kaneko Kugutsune (also called O Kane or Omi
no O Kane) stopping a runaway horse Date: c. 1856 Publisher: NOTE: This is a hanshita-e (final drawing for a print) that
was never published. |
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Title: Fashionable
Living Dolls (Fûryû iki ningyô, 風流生人形) Description: Ôban
triptych of scenes of lifelike dolls Date: 2nd
month of 1856 Publisher: Ômi-ya Kyûjirô |
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Description: The sennin Kikujidô (菊慈童, Ch’u-tsu-tung in Chinese), who is also known as the
Chrysanthemum Boy, as an androgynous youth in Chinese clothes seated among
chrysanthemums Publisher: Kaga-ya Kichiemon Date: c. 1836 Robinson: S1d.4 NOTE: This ningyô was not part of the exhibition at Kannon Temple in Asakusa, but was
displayed at an earlier chrysanthemum exhibition. |
This 1856 triptych by Kuniyoshi’s student Yoshiiku
shows nine scenes of lifelike dolls. |
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Program
(banzuke, 番付) for the exhibition by Kuniyoshi’s
student Yoshitsuya titled “Life-sized Dolls on
Display at Asakusa in the New Year” (来ル正月二日ヨリ浅草奥山ニて興行) Date: 11th month of 1857 Publisher: Mori-ya Jihei I am grateful to Paul
Steier for this image. |
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A 19th century iki-ningyô
similar to those seen by Kuniyoshi (left), and a contemporary one
titled is Tôrei
(Winter Loveliness) created by the master doll maker, Hirata Gôyô, in 1958 (right). |
“Robinson” refers to
listing in Kuniyoshi: The Warrior-Prints
by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982)
and its privately published supplement. CLICK HERE TO RETURN TO MAIN PAGE |