Set of Kintarô
(Kintarô zukushi, 金太郎尽)
Publisher: Tsujioka-ya Bunsuke
c. 1840
The
name Kintarô literally means Golden Boy. He was the son of Princess Yaegiri. Kintarô lived alone in the woods where he talked to the
animals. He was so strong that he
could bend trees like twigs and vanquished various monsters. When he grew up, Kintarô
joined with the hero Raikô (Minamoto no Yorimitsu) and became a famous warrior himself. Kintarô is also
known as Kaidômaru and as an adult was called
Sakata no Kintoki.
The prints in this series are each about 14 by 10 inches (36 by 25
centimeters), a size known as ôban. I am grateful to Robert Pryor for his contributions
to this series. |
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Subtitle: Imitation of Kwanu (Kwanu mitate, 金太郎尽 関羽見立) Scene: Kintarô poses on a rock as the Chinese general Kanu
accompanied by two oni
(demons) and holding a book of fairy tales (Mukashi mukashi) Robinson: S12.1 |
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Subtitle: Picture of Sumô
(Sumô no zu, 相撲之圖) Scene: Kintarô, as a child in Robinson: S12.2 NOTE: Tengu are forest-dwelling creatures
that are either human-like with wings and long noses or bird-like. |
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An alternate state of the above design with the rabbit’s sumô
belt being entirely red. |
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Yet another state |
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Subtitle: Kintarô and the Demons at Ogres’ Scene: Kintarô holding an axe is sitting in a portable shrine which
is carried on the shoulders of demons wearing festival clothing Robinson: Not listed |
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Another state of the above design |
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Another state of the above design |
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Subtitle: Monster
Extermination (Bakemono taiji, 化物退治) Scene: Kintarô fighting a three-eyed goblin Robinson: Not listed NOTE: This is a hanshita-e
(final drawing). |
“Robinson” refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its privately published supplement. CLICK HERE TO RETURN TO MAIN
PAGE |