Ukiyo-e Comparisons of the Cloudy Chapters of Genji,
Part I
(Genji kumo ukiyoe awase,
源氏雲浮世画合)
Publisher: Ise-ya Ichibei
1845-1846
The Tales of Genji (Genji monogatari) is the greatest novel in classical Japanese
literature, and arguably, the world’s first novel. It was written in the first decade of the
eleventh century by Lady Murasaki, and relates the womanizing exploits of
Prince Genji. Each of the fifty-four
chapters of the novel is named and is associated with a crest called a Genji-mon. Two different forms of each crest are
reproduced below. This series of
prints portray various scenes from history, legend, and literature that are
suggested by a specific chapter of the novel.
In several of these prints, the characters portrayed are recognizable
as specific kabuki actors. This series consists of one design for each
of the fifty-four chapters and six supplementary designs. The title cartouche in the right upper
corner reads Genji kumo
ukiyoe awase (源氏雲浮世画合) on the former and Genji kumo shu-i
(源氏雲拾遺) on the latter. The prints in
this series are each about 14 by 10 inches (36 by 25 centimeters), a size
known as ôban. |
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Chapter
number: 1 Chapter
name:
Kiritsubo (桐壺, Paulownia
Court) Scene: Hatakeyama Shôji Shigetada (畠山庄司重忠), fan in a
hand, seated by a go-board with the pieces spilled on the floor Robinson: S45.1 |
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Chapter
number: 2 Chapter
name:
Hahakigi (帚木, Broom Tree) Scene: Kuzunoha (葛の葉狐) peering over
a screen at her sleeping child. Her
shadow on the screen shows her true form as a fox-woman. Robinson: S45.2 |
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Chapter
number: 3 Chapter
name:
Utsusemi (空蝉, Shell of
Locust) Scene: Soga Gorô Tokimune (曽我五郎時宗) with drawn
sword lifts the mosquito-net preparatory to killing his father’s murderer, Kudô Suketsune Robinson: S45.3 |
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Chapter number: 4 Chapter name: Yûgao (夕顔, Evening
Faces) Scene: O-Rie, wife of Yazuma (矢間氏の室織江), in the snow
with a large dog carrying a rolled straw mat Robinson: S45.4 |
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Chapter number: 5 Chapter name: Wakamurasaki (若紫, Lavender) Scene: Tegoshi no Shôshô (少将), mistress of Soga Gorô,
tying her obi on a windy night Robinson: S45.5 |
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Chapter number: 6 Chapter name: Suetsumuhana (末摘花, Safflower) Scene: Actor
Ichikawa Danjûrô Robinson: S45.6 The breaks in the black line that forms the upper border of the
bottom image indicate a later printing than the top image, in which the line
is intact. The wooden block used to
print black lines, text and the black outlines found on most ukiyo-e prints is called the “key
block”. Since it prints thin lines,
rather than broad areas of color, it is usually the first block to show
evidence of ware. |
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Chapter number: 7 Chapter name: Momiji no ga
(紅葉の賀, Autumn
Outing) Scene: Actor
Ichikawa Danjûrô VIII as Endô Musha
Moritô (遠藤武者盛遠) on a flight
of stone steps amidst falling maple leaves holds up the severed head of Kesa-gozen. This
is a scene from the kabuki play Sakigake Genji. Robinson: S45.7 |
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Chapter number: 8 Chapter name: Hana no en (花の宴, Festival of
Cherry Blossoms) Scene: Actor Iwai Kumesaburô III as Hinadori (ひな鳥) under a
blooming cherry tree with her maid.
This is a scene from the kabuki
play Imoseyama onna teikin (Imoseyama, an
Example of Womanly Virtue) Robinson: S45.8 |
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Chapter number: 9 Chapter name: Aoi (葵, Heart vine) Scene: Kon-ô Maru (金王丸) of Edo
fishing with a net from his boat Robinson: S45.9 |
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Chapter number: 10 Chapter name: Sakaki (榊, Sacred Tree) Scene: O-Miwa (おみわ), the daughter
of a lowly sake merchant, holding a
ceremonial sake ladle while being bullied by malicious and homely
ladies-in-waiting at the palace of Soga Iruka, in the kabuki play Imoseyama onna teikin (Imoseyama, an Example of Womanly Virtue) Robinson: S45.10 |
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Chapter number: 11 Chapter name: Hana chiru sato (花散里, Orange
Blossoms) Scene: Katô Shigeuji (加藤重氏) seated with a
sake cup in which is a
cherry-blossom. His wife is kneeling
beside him. Robinson: S45.11 |
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Chapter number: 12 Chapter name: Suma (須磨, Suma) Scene: Tamaori-hime (玉織姫), wife of Atsumori, at the seashore carrying a naginata Robinson: S45.12 Two editions of the same design are shown. The lower print with a simplified design is
the less labor-intensive printing, which almost invariably means a later edition. In the lower print, only a single shade of
blue was used for the water and the shading (bokashi) in the foreground was omitted. Bokashi
was achieved by hand-applying a gradation of ink to the wooden printing block
rather than inking the block uniformly.
This hand-application had to be repeated for each sheet of paper that
was printed. Although some of the
colors in the lower print are faded, the garishly bright purple and red are
clearly chemical inks, as opposed to the warmer and more subtle colors used
in the above print. |
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Chapter number: 13 Chapter name: Akashi (明石, Akashi) Scene: Actor Bandô Shuka I as O-Hatsu (召使初) in the kabuki play Onoe Iwafuji Robinson: S45.13 |
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Chapter number: 14 Chapter name: Miotsukushi (澪標, Channel
Buoys) Scene: Shimobe Yodohei (下部淀平) with a large
box on his back by a garden gate in the snow Robinson: S45.14 |
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Chapter number: 15 Chapter name: Yomogyû (蓬生, Wormwood
Patch) Scene: Hisamatsu (久松) standing and holding a napkin with
the elderly Yamazaki no Kyûsaku (山崎の久作) seated before
him Robinson: S45.15 |
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Chapter number: 16 Chapter name: Sekiya (真木柱, The Gatehouse) Scene: Shirai Gompachi (白井権八) tying his
girdle by a netted palanquin with his foot on the neck of a prostrate bearer Robinson: S45.16 |
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Chapter number: 17 Chapter name: E-awase (絵合, Picture
Contest) Scene: Yaegaki-hime (八重垣姫) with her chin
in her hands gazing a picture of her deceased lover, Katsuyori,
before which incense is burning Robinson: S45.17 |
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Chapter number: 18 Chapter name: Matsukaze (松風, Wind in the
Pines) Scene: Actor
Ichikawa Danjûrô Robinson: S45.18 |
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Chapter number: 19 Chapter name: Usugumo (薄雲, Wisps of Cloud) Scene: Earth-Spider
in web behind Sôma Yoshikado
(相馬良門, right) and Uto Yasukata (善知鳥安方) Robinson: S45.19 |
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Chapter
number: 20 Chapter
name:
Asagao (朝顔, Morning
Glory) Scene: Actor Ichikawa
Danjûrô VIII as Fuwa Banzaemon
(不破伴左衛門) in the kabuki play Hiyoku no inazuma Robinson: S45.20 |
“Robinson” refers to listing in Kuniyoshi: The Warrior-Prints by Basil William Robinson (Cornell University Press, Ithaca, NY, 1982) and its privately published supplement. |